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Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"? The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.相关搜索：盲目的丈夫们爱奇艺在线盲目的丈夫们优酷在线盲目的丈夫们西瓜影音盲目的丈夫们百度百科盲目的丈夫们预告片盲目的丈夫们原著盲目的丈夫们什么时候播盲目的丈夫们小说原著盲目的丈夫们全集免费播放盲目的丈夫们豆瓣评分盲目的丈夫们演员表剧情片盲目的丈夫们评价盲目的丈夫们大结局盲目的丈夫们多少集盲目的丈夫们图片盲目的丈夫们定档剧情片盲目的丈夫们好看吗盲目的丈夫们剧情分集介绍盲目的丈夫们在哪个台播出盲目的丈夫们人物关系盲目的丈夫们角色介绍盲目的丈夫们更新时间
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2.剧情片《盲目的丈夫们》上映时间？
3.剧情片《盲目的丈夫们》演员列表？
365影院网友：萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海
4.网友怎么评价《盲目的丈夫们》？
Mtime网友：这个题材，做成这样，真的很不容易了。尤其是，影片在影像上非常有特点，大量的特写镜头、跟拍、手持，以及碎片式剪辑，营造出强烈的恐慌与不安感。这种情绪，其实就是角色在片中的情绪，它以影像的方式，最直接延伸给观众。
丢豆网网友：一个好的导演，是会调教演员的，知道演员的优势在哪里。《盲目的丈夫们》像极了一道来自异域的夏日甜品，虽然不是主菜的配置，但却也有着勾人的独特风情。坦白说，最初的确是冲着埃里克·冯·施特罗海姆导演的名号看的，毕竟人家讲故事的功力摆在那里，但一开始就入了坑也是我怎么都没料到的。
豆瓣网网友：放在豆瓣语境下，是部时至今日终于拍出来的美国 “高分剧情片”。拿现实题材拍商业类型片，社会意义摆在那，群戏也处理得相当不错。对我们国家而言，这样的电影多一部是一部，走一步是一步。
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